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KODUNGALLUR BHARANI PATTU LYRICS IN MALAYALAM PDF

From each vehicle parked on the service road of Kodungallur be greeted by the “original” bharanipattu where expletives compete with New. As the bus started, the mysterious cult began chanting songs in Malayalam that put everyone into a peculiar A devotee dancing to the chants of Bharani Paatu. Kavutheendal and Bharani festival in Malayalam Meenam month is the most Kavutheendal date is March 25 and Kodungalloor Bharani Festival is on March hurling of abuses at the deity – locally known as Kodungallur Bharani Pattu. The lyrics of the song contain mostly sexually explicit words – most of which.

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As I listened to the debate on ‘Sexy Durga’ on national television, I couldn’t help but wonder why our religious sentiment is so fragile that it gets hurt if someone with the same name as a God is called sexy. I had heard from my grandparents that the temple held a very interesting history of events that apparently did not involve the ‘higher caste’ population.

Legend has it that Devi Badrakali, after destroying the demon Darika, was calmed down by the very malaywlam ‘BharaniPattu’ – erotic songs with lyrics that are abuses and profanities.

KODUNGALLUR BHARANI PATTU LYRICS EBOOK

Yes, the primary offering to Kodungallur Amma are hymns which are profane, and absolute erotica is displayed with a fierce spirituality. Some say that it is related to the story of Kannaki of Silappathikaram who burned down a city with her fury, when her husband was wrongly convicted and killed for a crime he did not commit. Before the Kaavu Theendal ritual began. When I started my journey to the Kodungallur Kdungallur Temple with my friend, I wasn’t sure what to expect.

Buses were packed with devotees, both men and women clad in red, with curved swords Pallivaal and bells attached to them. As the bus started, the mysterious cult began chanting songs malayalak Malayalam that put everyone into a peculiar trance.

On listening carefully, I could hear the raw, sexually charged stories being sung about the deity herself. A devotee dancing to the chants of Bharani Paatu.

malayalam therippattukal

We reached the temple where I could only see a huge red sea of devotees and oracles chanting, raving and dancing around it. We were going to witness Kaavu Theendal and we were scared and excited at the same time.

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People of ‘lower caste’ were not allowed to enter the temple permises.

This particular festival was injected kn the fury against caste pollution by re-enacting events the legend holds. Both men and women dress up as the Devi in red sarees and ornaments. As a member of the Royal family unfurled the red umbrella Pattukuda – an expression of granting access to the ‘low caste’ to enter the temple, the devotees and Komarams oracles rushed in bhatani the sanctum sanctorum and ran three rounds pradakshinams around the temple, establishing their presence to the deity by singing and dancing in frenzy.

They hopped and bounced around to please Kali and stop her from unleashing her wrath over the human race. It is believed that the Devi’s fury would not calm down unless these ‘theri paatu’ a.

An oracle who has surrendered to the punishment of the Devi inside him. The furious Devi was now inside every oracle and she wouldn’t stop until she destroyed the universe. The komarams danced under the hot sun, their sweaty bodies trembling with the same emotion. They would smite their foreheads with the swords as blood ran down their faces; feeling no pain and struggle, but only a never-ending devotion for their goddess.

Devotees applied turmeric to these wounds even though the komarams continued with the act for hours.

Kodunagallur Bharani

It was mesmerising to watch but it wasn’t malayala, the faint hearted. Calming the deity through erotic songs. After the ritual, all the ornaments were taken off the Devi’s Idol and chandanam sandalwood paste was applied. And that’s when the Devi leaves her superhuman form and rage for total destruction, to become a normal woman. The king of the Royal mmalayalam would bless the devotees and fold his red silk umbrella to mark the end of the ceremony.

Turmeric for the wounds. The entire experience shook us in a way we couldn’t imagine.

The images Kodungallur Bharani cast in us that day will never be forgotten. The deity here is considered a normal woman who shares the same erotic feelings any woman has, and that’s what makes common people embrace her story as one among theirs. Even though our historical artefacts portray Kali and Durga in the form of nudity and crude sexual enchantment, we find it difficult to come out of our ‘sanskari’ selves and appreciate art in its unrefined form. We have literally started to kodungalluf and clothe the deities in the temples to save our so-called culture from getting destroyed.

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This is definitely not a good time for bharami, not with all the million kodunallur that offend us. The Devi inside every oracle. The views expressed in this article are independent views solely of the author s expressed in their private capacity and do not in any way represent or reflect the views of India.

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You were successfully added to the newsletter recipients. Skip to main content. Storytellers of a new generation. Offended By ‘Sexy’ Durga? A devotee dancing to the chants of Bharani Paatu Feeling offended yet? Both men and women dress up as the Devi in red sarees and ornaments As a member of the Royal family unfurled the red umbrella Pattukuda – an expression of granting access to the ‘low caste’ to enter the temple, the devotees and Komarams oracles rushed in to the sanctum sanctorum and ran three rounds pradakshinams around the temple, establishing their presence to the deity by singing and dancing in frenzy.

An oracle who has surrendered to the punishment of the Devi inside him The furious Devi was now inside every oracle and she wouldn’t stop until she destroyed the universe.

Calming the deity through erotic songs After the ritual, all the ornaments were taken off the Devi’s Idol and chandanam sandalwood paste was applied. Turmeric for the wounds The entire experience shook us in a way we couldn’t imagine. By Megha Suresh Menon Photographs by: Aslam Yahya and Yahya Ashraf. Mumbai’s Ballerinos Heartland.

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