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From Wikipedia, the free encyclopedia. The remaining music comprises villancicos, romances, and a Baxa de contrapunto. Other than the guitar-specific fingerings including left-hand legatothe music the notes themselves should now match exactly the original tablature. As usual, fingerings are only suggestions; you may ignore them and choose your own.
If you have trouble with the left-hand fingering for the scale run in measure 22, you’ll have to come up with an alternate fingering. They are characterized by smooth, competent imitative writing in two and three voices. Although still a transcription and arrangement for the guitar and not a literal vihuela tablature transcription, this version should be more readable and somewhat truer to the original vihuela tablature. Confusion arises because the immediately following work in the original manuscript, Otras tres diferencias hechas por otra parteis not listed on the title page or index.
He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music.
The third volume of the collection is dedicated exclusively to intabulations of works by other composers: Reverted note additions to measures 30 and 33, leaving only notes occuring in original tablature. It consists of a set of variations on a Spanish folk theme.
The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind. Changed some fingering in measures 30, 32, and 33 to match original tablature. Instead, the title page refers to siete diferencias de guarda me las vacas.
The intabulations are of high quality, but without any particular distinguishing features. My transcription allows you to play the song in the guitar’s normal tuning.
The collection begins with a preface, in which the composer dedicates the work to his patron Francisco guardaem los Cobos. If you can play Message in a Bottleyou shouldn’t have a problem with the fingering.
Diferencias sobre ‘Guárdame las vacas’ (Narváez, Luys de)
Guardame las vacas and Conde clarosboth in volume six.
Volumes four to six have mixed content. In the process of retranscribing and renotating the piece using LilyPond, I made some changes to fingering.
Roman numerals in parentheses are ve original and are provided for convenience only. Today, quatro is spelled cuatro. Renotated using LilyPond, making some notational improvements along the way.
Luis de Narváez
The second of the two songs is wrongly attributed to Gombert, it is a work of Jean Courtois. Changed beaming to match metrical changes. Views Read Edit View history. Apart from melodic variations, there are also two sets on ostinato harmonies: The new fingering uses the thumb more and is more nnarvaez.
Luis de Narváez – Wikipedia
I’ve retained the previous version generated with Sibelius for those who want tablature or wish to narvaaez Sibelius and LilyPond output. As you can tell from the revision history below, I’ve made other changes over time, eventually reverting two instances where I had added extra notes to form chords to guardake a note sound fuller. Actively Maintained LilyPond Output. The original right-hand fingering was rather unnatural. The most notable change is in measure 28, which I used to play with a fourth-position barre.
There is some debate over whether the full composition consists of four or seven variations. Retrieved from ” https: This page was last edited on 21 Augustat